Calligraphy

Calligrapher Seyed Mohammad Vahid Mousavi Jazayeri, specialist in Kufic writing. Photograph: ©Kuficpedia.

In Europe, the development of printing from the middle of the 15th century caused hand-copied books to disappear. In the East, the importance of calligraphy delayed the spread of printing, and even after the adoption of printing techniques (in the 19th century),  printed books did not make the art of beautiful writing disappear.

Today, calligraphers, professionals or amateurs, continue an age-old art, where technique is not dissociated from good manners, where writing well is synonymous with culture, where the symbolism of writing is united with a spirituality. Some calligraphers perpetuate traditional styles, notably nastaliq, a dancing and complex writing, often written diagonally, mainly used to write Persian; others are renewing calligraphy by associating its techniques with avant-garde aesthetics, by using calligraphic styles in a contemporary graphic sense. Calligraphy is, along with carpets, the main living heritage of Iran.

Work in nastaliq script by Mir Emad (1554-1615). National Museum of Iran, Tehran. Photograph: ©Patrick Ringgenberg.

Parviz Tanavoli (born 1937), famous artist who composes monumental sculptures with letters of the Arabic-Persian alphabet. Photograph: © John Gordon (Wikimedia).

Do you want to learn calligraphy by learning from a master? We organize tailor-made stays, where workshops will familiarize you with the calligrapher’s tools (the calame), writing techniques, different styles (naskh, kufi, nastaliq, etc.). Your stay can be combined with tourist visits and excursions, in order to fully root yourself in Iranian culture.